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Shrek 2
CRITICS OF "Shrek 2"
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Sunday Times (UK)
Resource

December 06, 2014

Don't get me wrong. I'm not sulking. I liked Shrek 2. Honest. Kids will like Shrek 2. Most mums and dads will like Shrek 2. My problem is this: I didn't love it the way I loved Shrek.
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Chicago Reader
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March 05, 2008

Like the first movie this is unassailable family entertainment, with a gentle fairy tale for kids and a raft of mildly satirical pop-culture references for parents.
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Los Angeles Times
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November 25, 2013

Can an ogre live happily ever after? Can fairy tale characters be content with their fairy tale lives? Can an Oscar-winning animated success generate a successful sequel? To all these questions, Shrek 2 is happy to answer yes, yes and yes.
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AV Club
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November 25, 2013

The lovable characters remain, but they never do much of interest in a sequel that's safely above average but superfluous.
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The Age (Australia)
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December 06, 2014

Donkey, with his endless asides and phenomenally thick skin, is as much of a pleasure as he was in the first film, but he has a challenger: Puss in Boots, voiced by Antonio Banderas.
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Times (UK)
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December 06, 2014

All hail the angriest rebel since James Dean. All right, he's green, pot-bellied, and has the social graces of a slug. But in terms of attitude? Peerless.
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Fat Guys at the Movies
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January 17, 2016

It's just as good - if not better - than the original.
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New Yorker

November 25, 2013

The movie is obvious, but consistently entertaining and animated in DreamWorks's "realistic" digitized style.
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Wall Street Journal
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November 25, 2013

This second edition of DreamWorks's Oscar-winning ogre opus may not match the original for, well, originality, but it honors the prime injunction governing sequels: To thine own characters be true.
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Associated Press
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November 25, 2013

A rare example of a sequel that's better than the original.
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New Statesman
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December 06, 2014

Go and see Shrek 2. You'll enjoy yourself thoroughly. Only the churlish could find any faults.
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London Evening Standard
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December 06, 2014

The animation by which it stands or falls is as brilliant as ever and, though it wouldn't really be right to call it totally anti-Disney, it certainly trumps that institution for sharpness of focus, notably as far as the screenplay is concerned.
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