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The Sting
CRITICS OF "The Sting"
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New York Times

May 09, 2005

The film is so good-natured, so obviously aware of everything it's up to, even its own picturesque frauds, that I opt to go along with it.
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TIME Magazine
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October 01, 2008

Newman and Redford pass a few facial expressions between them and try to cool each other out. If there ever was much of a script, it can be said to have gone to waste.
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Chicago Reader
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December 13, 2006

Top-notch entertainment.
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Total Film
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February 20, 2013

A masterfully smooth grift that's built on golden-age savvy but never feels like a rose-tinted throwback.
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Radio Times
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February 12, 2014

The sting itself is as audacious as it is elaborate, but the real pleasure comes from the chemistry between the two leads, the lovingly created 1930s settings and Marvin Hamlisch's inspired reworking of Scott Joplin's music.
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Daily Telegraph (UK)
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January 01, 2015

The Sting remains the definitive con artist comedy: as irresistible and ingenious as the scheme that hooks in Doyle.
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New York Daily News
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February 27, 2015

As for Newman and Redford, they have developed a form of instant communication. Words are not as important as they way they look at each other. Call it as snow job or call it acting, it is very pleasing to watch.
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Variety
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February 19, 2008

Extremely handsome production values and a great supporting cast round out the virtues.
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Time Out
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June 24, 2006

The film ends up relying on different chapter headings to explain what's going on, but it's all very professional, with fine attention to period detail.
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Antagony & Ecstasy
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March 03, 2013

A perfectly calibrated machine designed to be as entertaining as possible in as many ways as possible.
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Three Movie Buffs
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November 16, 2014

Redford and Newman provide the real sting.
The Sting
Soundtracks OF "The Sting"
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