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Murder One - Season 2

 
Description
Season two of the drama series follows Theodore Hoffman, a lawyer, who is famous for his smartness in defending his clients, who struggles against defending a young actor that addicts alcoholism from a fatal murder. In this new season, Ted travels to Europe to save his family.
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Murder One - Season 2
CRITICS OF "Murder One - Season 2"
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Variety
Resource

July 29, 2019

The series is reborn as a well-paced, solidly plotted show, with [Anthony] LaPaglia giving it a whole new spin.
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Washington Post
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July 29, 2019

The drama does have sparks and fireworks, the production is glossy and deluxe, and the first case is full of tantalizing complications even in its early stages.
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Entertainment Weekly
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July 29, 2019

By making [Anthony] LaPaglia a former D.A. who switches tables, Murder [One] offers a character who's as ambivalent about defense attorneys as most post-O.J. Americans are.
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Deseret News (Salt Lake City)
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July 29, 2019

All indications are that the new version of Murder One will be just as well done, just as riveting as last year's.
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Buffalo News
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July 30, 2019

It says something about the rest of the regular cast that [Gary] Blondo emerges as one of most memorable characters in the miniseries.
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Orlando Sentinel
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July 29, 2019

Murder One remains adult television of a high order. Producer Steven Bochco's sure hand is evident from the tough-minded writing and deft casting to the superlative music and photography.
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Los Angeles Times
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July 29, 2019

The opening plot has some cracks, but none that can't be stepped over in an hour that is often transfixing and has you looking forward to the next episode.
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New York Times
Resource

July 29, 2019

This new version of Murder One is not as taut as the original. But it is more focused.
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Baltimore Sun
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July 29, 2019

It's up to [Anthony] LaPaglia to assume the mantle of leadership. And talented as he is, he's no [Daniel] Benzali.
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Irish Times
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July 30, 2019

Murder One is still magnificently filmed and framed -- if anything, it remains too luscious. But, in casting a hero for a big budget series which seeks to reflect the moral decline of the times, it has chosen better this time.
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